akg d12e reverb

No-one dares make a real remake of anything vintage. ... Roland Space Echo 201. AKG 414EB. Even a Beta 52A can be ok sometimes. How far into the hole should I put the inside mic? AKG 414EB x 2 AKG 451e w/ CK1, -10db Pad x 3 AKG C28a x 3 AKG D112 AKG D12e AKG "The Tube" Audix D6 Beyer M500 x 2 Beyer M160 B.L.U.E. DAW • Apogee Symphony MKII 24x24 • … Beyer M160 x 2 (Ribbon) Beyer M201. SoundToys. old akg d series mic's are keepers in general. Electrovoice RE20. Echo/Reverb/Delay: EMT 140 tube Reverb (2) EVENTIDE H3000 Kitchen Sink. Sony C37a (2) Sony C37p (2) B&K p48 omni. A nice D12E sells for $400 typically. I agree that the D6 is … But in the studio my fav combination is a Sennheiser 421 and an AKG D12E. Waves Classic Studio Collection. In other rooms I’ve liked the Telefunken M82, RE20 and e602. AKG 414 x2 Blue Kiwi Lawson L47FET Neumann M149 Neumann U87 x2 (vintage) Neumann KM184 x2 Shure Beta 91. But I'm not against being swayed. I'm new to engineering and have been reading this forum a lot, but have some questions as I run my first session. Waves IR Reverb. AKG 414 silver (2) AKG D112. As long as I don’t have to use a D6, I can work with it, as long as I have a quality pre and EQ. AKG D19 x 2. Three mics will probably never be cloned - the D12E, the U67, and the KM84. AKG D30. ROLAND SDE 2500. At that price you might as well get a REALLY babied D12E. It sure seems like all manufacturers are PUSSIES! Dynamics AKG D112 x2 AKG D12E Electro-Voice 635a Electro-Voice ND-468 Electro-Voice RE-20 Sennheiser 421 x2 Shure Beta 52 Shure Beta 57 Shure sm57 Shure sm7. Even Mercenary "improved" the KM84 design they'd built. TL Space. Hi forum. SM57, CAD90, PG81 Hats: Shure SM81 Overheads: Beesneez Lulu FET Toms: Sennheiser 604e. I don't own one yet (with the impression on yet) but they are top notch (used d12e, d19, d22 and d200e in the past when freelancing) New d mics (like the d112) impress me much less, i don't know why, but they lost the magic. Altiverb 7. Beyer M160. Waves CLA Compressors. Sennheiser 421 (3) Sennheiser 441 (2) Sennheiser E609. When I got my d12e, I was told by the american office that they wouldn't work on it, but akg in europe said they could fix it in Vienna. Audix D6. ... Reverb one. EVENTIDE H3000S. I would like to experiment with 2 mics on kick drum, but want to clarify about placement. AKG D12e. Kiwi B.L.U.E. Audio Technica ATM25 x 4. Microphones: AKG D12E (3) AKG D112. I want to move the 604e's to live and buy 3 microphones for the toms in the studio. Astatic T3. LEXICON 224 w/LARC. AKG C451 x 4 (w -20db pad) AKG C452 (w -10db pad) Astatic 332. AKG D12E for vintage/all arounder ... For inside I typically use a D12E or D112. Beyer M88n x 2. A revolutionary mic when it first appeared, the D12 has a hand-built bass resonance chamber emphasizing the 60-120 hz range, a built-in shock absorber and pop screen, and a very focused directional characteristic to … AKG 414EB P48. I am trying a 421 for inside and an AKG D12e for outside. AKG C535 (2) AKG 451EB (2) BEYER M160. Roland SDD-320 Dimension D. Square State EQ Model 1B (2) Yamaha 1500. AKG C12 (Tube) AKG C12a x 2 (Tube) AKG D12e. AKG D112. Kick : AKG D12e/AKG D50 Snare: Sennheiser 441 with various bottom microphones e.g. Waves Tune Lite. AKG D36. • AKG D12e (vintage) • AKG D112 • Beyerdynamic M380 • Electro Voice RE20 ... • Spring Reverb Tank • Echo Fix EF-2 Analog Tape delay. Try contacting akg in europe (look for a euro or worldwide akg site and e-mail them from there--I don't have the url anymore), rather than akg in the usa (which has its own site). The D12E is also great on bass cabs, tuba, trombone, and many styles of vocalists. I have yet to be able to take the PR48 off the road and into my studio to do some tracking with it. The PR48 is to my ears, the most natural kick drum mic on the market. Coles 4038 (Ribbon) Crown PZM CS x 2. Audio Technica ATM23HE x 2. I think I prefer dynamic microphones for toms. Beyer M88. AKG C414eb x 4.

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