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K on Ichikawa’s mind-blowing An Actor’s Revenge is concerned with doubles and triples, with nesting forms of art and identity, and with history as a circular and self-devouring string of miseries. In the end, “An Actor’s Revenge” is a noteworthy entry in Japanese cinema of the 1960s. Archive Highlights Neighborhoods. October 17, Japan Society . An Actor's Revenge is a restyling of a 1935 film of the same name (which also starred Kazuo Hasegawa) and is a stylistically courageous blending of sophisticated creativity and pop-culture tastelessness. An Actor's Revenge is a remake of the 1935 film of the same title (distributed in English-speaking countries as The Revenge of Yukinojō), which also starred Kazuo Hasegawa.The 1963 remake was Hasegawa's 300th role as a film actor.
Directed by Kon Ichikawa . Kon Ichikawa's wildly melodramatic tale of a kabuki female impersonator who exacts a long-delayed revenge. More: Film and TV Film Reviews Japan Society. While its embrace of the melodrama and the theatricality of the story may irritate some, its themes, performances and formal creativity will likely find many admirers. The film is itself a double, a remake of a trilogy by Teinosuke Kinogasa, with Kazuo Hasegawa reprising roles that he first played in 1935. Ichikawa’s most visually distinctive film is 1963’s An Actor’s Revenge. Sources: Bell, James (2018) The Eclectic Cinema of Kon Ichikawa A uniquely prolific and chameleonic figure of world cinema, Kon Ichikawa delivered a burst of stylistic bravado with this intricate tale of betrayal a… An Actor’s Revenge.