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Elegy Written in a Country Churchyard Summary. Gukovskij, G. A. Gray’s version of an elegy is slightly different—he writes about the inevitability and hollowness of death in general, instead of mourning one person. T. Gray.

S prisovokupleniem kratkogo izvestija o zhizni i tvorenijah Greja i mnogih istoricheskih i basnoslovnyh primechanij. Gray may, however, have begun writing the poem in 1742, shortly after the death of his close friend Richard West. Thomas Gray. S anglijskogo jazyka perevedennye P. Golenishhevym-Kutuzovym. The poem's origins are unknown, but it was partly inspired by Gray's thoughts following the death of the poet Richard West in 1742.

It's dark and a bit spooky. Elegy Written in a Country Churchyard is a Restoration Period poem by Thomas Gray.

Stihotvorenija Greja (Ñ . (1995). Grej, T. (1803). Elegy Written in a Country Churchyard. N. Y.: D. Appleton and Co. Broadway, MDCCCLXI. Thomas Gray’s “Elegy Written in a Country Churchyard” was first published in 1751.

He looks at the dimly lit gravestones, but none of the grave markers are all that impressive—most of the people buried here are poor folks from the village, so their tombstones are just simple, roughly carved stones. “Elegy Written in a Country Churchyard” can loosely be divided into five groups of stanzas.

The speaker is hanging out in a churchyard just after the sun goes down. An elegy written in a country churchyard. Elegy Written in a Country Churchyard is a poem by Thomas Gray, completed in 1750 and first published in 1751. An elegy, by strict definition, is usually a lament for the dead. An elegy is a poem which laments the dead.

The curfew tolls the knell of parting day, The lowing herd winds slowly o'er the lea, The ploughman homeward plods his weary way, And leaves the world to darkness and to me.

Thomas Gray’s “Elegy Written in a Country Churchyard” is one of “the best-known and best-loved poems in the English.” For each of its stanzas, I provide [in brackets] a brief explanation of its meaning which may not be clear to a modern ear. 85–93).