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Shot on two soundstages because of a limited budget and Ford's poor health, THE MAN WHO SHOT LIBERTY VALANCE blends a stripped-down look with an intentionally fractured, ambiguous narrative to stand as a haunting elegy for the fearless gunman, the endless wilderness, and the loss of freedom their vanishing betokens. That story plus "A Man Called Horse" and "The Hanging Tree" became major Hollywood films. A reporter questions him about his […]

“The Man Who Shot Liberty Valance” offers many good supporting performers including Woody Strode and Andy Devine.

The Man Who Shot Liberty Valance is a 1962 American Western film directed by John Ford starring James Stewart and John Wayne. The black-and-white film was released by Paramount Pictures. Share. The Summary of the story is as follows: In 1910, Sen. Ranse Stoddard and his wife, Hallie, arrive in the small town of Shinbone to attend the funeral of Tom Doniphon.

Lee Marvin is Liberty Valance, and Strother Martin & Lee Van Cleef play his henchmen -- Look for those 3 to also play together in “The Grave” episode … Add more and vote on your favourites! Add more and vote on your favourites! The Man Who Shot Liberty Valance. The stories in this book are her very best. The best quotes from The Man Who Shot Liberty Valance (1962). Journey into the Wild West, 1890, in this classic story of good versus evil, of law versus the gun, of one man versus Liberty Valance.

Written by my favorite author, Dorothy Johnson, The Who Shot Liberty Valance is western fiction at its best. ... Tom Doniphon: I know those law books mean a lot to you, but not out here. The Man Who Shot Liberty Valance is The Godfather in reverse: Through violence, a lawless land gets dragged into modernity. The screenplay by James Warner Bellah and Willis Goldbeck was adapted from a short story written by Dorothy M. Johnson. Out here a man settles his own problems. The best quotes from The Man Who Shot Liberty Valance (1962). When the final showdown came at last, a law book was no good. "The Man Who Shot Liberty Valance," the New Yorker's Richard Brody writes, "is the greatest American political movie." They were ranked as four of the top five stories of the 20th century by the Western Writers of America, with "The Man Who Shot Liberty Valance" as number one.